Rochefort, 83 years old, worked 5 months on this book, with for accomplice Edwart Vignot, art historian. Each accompanying the tables of a short text. "I would describe myself as awake amateur criticism" specifies to at the outset with the inimitable voice actor.
"All this has taken time, because I in part." I was never satisfied. The night I ran in my Office when I thought have found the perfect adjective (laugh) "."
The horse this is the great passion of Jean Rochefort, since Philippe de Broca was assigned a role in cartridge alongside Jean Paul Belmondo. First humiliated ever, falling to a Bebel hyper uncomfortable, Rochefort eventually catch the virus.
"Probably the best moments of his life"
"The important thing is to become the horse and the horse to become human." It's called osmosis and are very rare magical moments, that some riders get. "It remains self but trying to become a quadruped, become a Centaur".
This actor harmony is found in a table of Van Dyck "Marquis of Moncada": "They come out of a forest." Person behind them. Person before them. It is a walk, a moment of happiness. "For the horse man, who loves horses, probably the best moments of his life, memories before death".
Marquis of Moncada of Antoon Van Dyck 1599-1641 ? LouvreTo Rochefort, the cavalier, such moments belong to the past. Since the shooting in Spain of a Don Quixote who never came, the actor suffers from pain in the spine which prohibit him back to horse.
"I can't have this great happiness to go only in the forest with my favorite Mare that I baptized Alphaville," regrets Rochefort, "with this kind of complicity that has developed between it and me over the years." When we stop on a tree stump and it touched me hair quite gentiment… She knew me by heart and me also. "It is on the back of his mother that I learned of the text of Alceste in the Misanthrope."
What is the table our passionate clings in his living room?
And if he should choose a. ?"This would be the portrait of the grey horse of Géricault.".? There is pure art, the total understanding of the animal that we are facing, which monitors us, who looks at us with distrust and tenderness both before. So many emotions necessary humility and the silence… ?.
Théodore Géricault 1791-1824 ? Louvre white horse headHuman horse don't like hard hands
On the other hand Rochefort is the pouty before a Charles Le Brun "The horse of the Chancellor" representing three young boys. One of them represented back, taking the frame of a hard hand that draws on the mouth of the animal.
""Hard hands did retain horses but them anxious and worried about them", he said." ""The mystery with horses is that are animals that a priori we are afraid and they are afraid of us. "We need the rassurer…le marriage is difficult at the beginning."
Chancellor Séguier of Charles Le Brun 1619-1690 ? Louvre"Artists are seeking a kind of cousin between man and the horse"
Rochefort fun errors of the artists in the representation of the horse, and in particular the eyes: "the humanoid eye position is absolutely impossible." In the old works, very often the eyes are painted faces, such as human or OWL while those horses are on the sides. "In my opinion artists sought a kind of cousin between man and the horse".
Two heads of Antonio Puccio said Pisanello 1395-1450 ? Louvre"The only way to obtain the submission of the animal is to twist his ear"
Head of Géricault work retains the attention of Rochefort: a rider and his steed in a flood. "The only way under these conditions to obtain the submission of the animal is to twist his ear with force." "Géricault visibly knew, me not," notes Rochefort. "I have known a history with my Mare with which I after at sea for the first time." I wanted the neck, I after next it. And soon I noticed that it was assumed towards the horizon. I began to worry and I had any thought to the ears as our friend. I became extremely nervous, I even thought of abandoning my Mare and I found the way to him pressed the index in one nostril and the thumb in the other. Tight very hard, and small to small head bring him back to Earth. "She submitted thanks to God".
Théodore Géricault 1791-1824 ? Louvre flood stage"The Louvre horse", by Jean Rochefort and Edwart Vignot
Editions Place des Victoires. 316 pages.
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